indaiki
Mar 1, 2008
It’s a small place. There are four tables, with two rickety chairs each, set against the chipped and whitewashed walls. On the right wall, they’ve hung two blown-up newspaper articles featuring the place, one from The Star, another from Now. An off-white bust of Gandhi looks impassively past the enlarged headlines and inset quotations. There’s a telephone nailed to the left wall, its loosely coiled extension cord hanging flat against the greying plaster and underneath it, the cash register. They’ve set a tray out, holding a canister of water, another of coffee, and some mugs.
The phone rings. “Hello Gandhi,” says the owner. There’s almost comma in there somewhere in his greeting, but not quite.
We order our lunches and sit down. The food’s good, spicier than we expected. Surreptitiously, we dab at our noses with our napkins, feeling like failures for having not only taken but also warranted the advice of the white girl who, sniffing, had told us to be careful as she left.
“Next time,” says the owner, from behind the counter, amused, “order mild-to-medium. It’s too hot, huh. Even our chef is saying order mild.” The man in the kitchen waves at us; he looks vaguely Filipino, vaguely Spanish. “You’re finishing all my water,” he continues dryly. “Water’s expensive.”
I seize the opportunity, have in fact been waiting for this moment. “Thanni expensive ah?”
He nods. “Thanni expensive.”
I wait.
And then he looks at me again. “… Thanni expensive?”
I grin, satisfied.
The man wheeling in crates stops to join us. “How did you know we spoke tamil?”
“I heard you.”
One of them is from Tamil Nadu, the other from Jaffna. Since I can’t just be from the island, I am from the city I was born in and the towns my parents called home.
“Pottuvil. Near Batticaloa – and Gaul.” I have a sudden memory of the bridge to Gaul, the jeep, the sand dunes, the paddy fields.
We talk about the trouble. “The trouble,” which is the standard euphemism for the war. Other translations from the thamizh word include suffering and distress.
When I get home that night, my father is at the computer. I stand in the doorway, watching him. It’s a tamil website, advertisements all over the page and it hasn’t finished loading. My father is peering at the screen, one hand enveloping the mouse. There are two computers in the living room, but my father’s sitting at the monitor we’ve had for a decade now. The one behind him, surrounded by the paraphernalia of my brother’s sketches and notes, looms anorexic thin and cool, and I can’t understand why my father is sitting at the old one. That seems an important point to resolve, why my father chose this computer, with its painfully bad colour controls, over the one we’d bought last week.
“There was a bombing,” I say, leaning against the doorframe. “In Colombo. Forty people died.”
He nods. It’s the kind of website I avoid, with flashing headlines and animated images. “There’ll have a lot now these days. Today was the independence day. They always do things around this time.”
It feels, momentarily, like an important point to resolve.
But I can think of several reasons my father chose this computer over that.
What I can’t reconcile is the fact of my father’s reading thamizh websites with the silence of this conversation. The door is still open behind me, I still have my jacket on and my bag weighs heavy on my shoulder. In my father’s room, beside his bed is a stack of thamizh newspapers and magazines, bought at grocery stores where my father buys wadas in brown paper bags. A few of them are in English, printed in Sri Lanka and always a few days out of date. I’ll occasionally skim through those papers, trying to piece together a politics and a present history that escapes me. I cannot reconcile those inky sheets of newsprint, the fact of them sitting beside the phone in my parents’ bedroom, with the casualness with which my father agrees with me.
10 Responses to “indaiki”
1 zb Mar 2, 2008
thamizh (:
2 muslimgirl Mar 2, 2008
seems like most of us are attached to some part of the world that’s got hella violence going on. it’s such a daily thing, you dont even know how to react to it any more. or if you can react. if you dig too deep to feel something about it you cant help but feel like a poser. like you WISH you were there, to really know what it felt like, and you feel guilty cuz youre not, so you gotta emote. ya dig?
3 asad Mar 2, 2008
muslimgirl, i think i know what you mean. the past 8, 10 months i’ve been so regretful/depressed that i haven’t been in pakistan.
i spent 11 years there, through the 90s, when things were pretty bad in a different way than recently, and i felt like living with all that stuff made me pakistani, a karachiite. common experiences make communities, right?
now, i feel like i’m losing that connection to the place since it’s gone through so much and i haven’t been a part of it.
4 noaman Mar 4, 2008
Nimmadi vendum!
5 noaman Mar 4, 2008
Oh, wait:
Nyayam vendum!
6 zb Mar 6, 2008
nee vendum.
7 fathima Mar 7, 2008
muslimgirl and asad,
yes, i do feel like a poser some days. but i have personal reasons for wanting to know about the war. it isn’t just about wanting to be politically informed – though there’s that, too. i do want to know about the country and its history because i want to know things in the general sense. but this is also becoming, and more everyday, about the history of my family. my family’s history exists, in certain places and in certain times, against the backdrop of that violence. in order to know that history, then, i need to know the war.
so this is problematic in a different way; i feel guilty for different things. what does it mean, for one, that i approach an ongoing civil war as a narrative project, as a means to a very private ends? it’s selfish of me to do that.
and what about the possibility that my parents were largely untouched by the war, that their silences are not performances? if that’s true, then i am enacting a specific kind of violence against them by forcing them to admit to a past that may not actually be theirs.
both, noaman. i want them both.
zb, cheh. nee vekkum illa?
8 zb Mar 11, 2008
ahaha, cho chweet, cader (:
you meant: cheh, unnakku vekkam[ah] illa?
and, that’s a rhetorical question, right?
.. though i’m tempted to answer it, very; may i? :>
9 fathima Mar 11, 2008
oh right, yes. unnakku. oh well, close enough. i stumble through.
and there is no such thing as a rhetorical question.
10 zb Mar 11, 2008
hah. unnidam inni enna vekkam, cader? vA, anbe, vAaaaa…!